Yearning for perfection – Viennese beauties
Collections of beauties, which previously included only women’s portraits, have existed in private aristocratic museums since the 16th century. Similar to today’s selfies, back then, too, at issue was supra-individual idealization: the absence of an independent personality was even considered a special proof of virtue. Nowadays, many (self-)portraits are still about metamorphosis and perfection. Influencers, advertising stars, and sex idols are role models for both women and men. For a long time now, idealized and erotically accentuated beauty are no longer exclusively female phenomenon.
Hermann Heid
around
1870
Unknown
1909
A. (Anton Paul) Huber
around
1890
Adele Perlmutter (Atelier Adèle)
around
1870
Unknown
around
1988
Hans Makart
1875
Franz Xaver Setzer
around
1928
Hans Makart
before
1884
Karl Joseph Aloys Agricola
1828
Max Kurzweil
1899
Heinrich Friedrich Füger
1788